The night before: "Grief" by Matthew Dickman
- Imagine a Bird
- Mar 10
- 3 min read
Three passings in four months. It doesn’t always happen that the deaths of loved ones come at you like a series of ill winds, one gust right after the other. But when they do, it is more than alright to crumble into bits.
Remembrance and recovery may take their time to arrive, and then at some point to offer themselves in little waves, across slight spaces of time between losses.
Tonight, the quiet hours before a friend's morning cremation in the U.K.
Next weekend, a local memorial for a cousin.
Through it all, my sister-in-law and I adapt to life without my brother. His wheelchair remains, but most medical equipment has been donated or safely disposed of.
I first read this wonderful poem, below, in 2011. With my friend Rubén, I browsed bookshelves in Los Angeles, searching for something to ease the pain of a lost long-term relationship. As it turned out, there was no easing, quite the opposite:
Poetry holds up a Windex’ed mirror to your heart and shows you everything inside. <3
Grief
By Matthew Dickman
When grief comes to you as a purple gorilla
you must count yourself lucky.
You must offer her what’s left
of your dinner, the book you were trying to finish
you must put aside
and make her a place to sit at the foot of your bed,
her eyes moving from the clock
to the television and back again.
I am not afraid. She has been here before
and now I can recognize her gait
as she approaches the house.
Some nights, when I know she’s coming,
I unlock the door, lie down on my back,
and count her steps
from the street to the porch.
Tonight she brings a pencil and a ream of paper,
tells me to write down
everyone I have ever known,
and we separate them between the living and the dead
so she can pick each name at random.
I play her favorite Willie Nelson album
because she misses Texas
but I don’t ask why.
She hums a little,
the way my brother does when he gardens.
We sit for an hour
while she tells me how unreasonable I’ve been,
crying in the check-out line,
refusing to eat, refusing to shower,
all the smoking and all the drinking.
Eventually she puts one of her heavy
purple arms around me, leans
her head against mine,
and all of a sudden things are feeling romantic.
So I tell her,
things are feeling romantic.
She pulls another name, this time
from the dead,
and turns to me in that way that parents do
so you feel embarrassed or ashamed of something.
Romantic? She says,
reading the name out loud, slowly
so I am aware of each syllable, each vowel
wrapping around the bones like new muscle,
the sound of that person’s body
and how reckless it is,
how careless that his name is in one pile and not the other.
Copyright © 2008 by Matthew Dickman. Reprinted by permission of Matthew Dickman (permission granted 24 February, 2026).
Thank you, Matthew!
Matthew Dickman is the author of Husbandry, Wonderland, Mayakovsky’s Revolver, and All-American Poem, winner of the APR/Honickman First Book Prize. His other honors include a Guggenheim Fellowship and the Sarton Award for Poetry from the American Academy of Arts and Sciences. He is a father, teacher, and freelance creative living in Portland, Oregon.
